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Watch Box Office Movie Black Swan online
Sometimes I wish that I watch the second movie before I wrote again. Black Swan you throw so much of its symbolism and layers of psychosexual imagery and rich thematic undertones. And instead of furiously scribbling notes, I let myself get lost in Matthew Libatique magnificent description, Clint Mansell rich score, Natalie Portman, and phenomenal performance. I wanted to pick apart and analyze the Black Swan but director Darren Aronofsky had to go and create another great movie that I wanted to see you again as soon as the end credits began to roll.
The story is smart enough to re-formulate Tchaikovsky’s Swan Lake. Portman plays Nina Sayers: sheltered, single-minded ballerina in today’s New York City, who finally gets shot at stardom when his director, Thomas Leroy (Vincent Cassel), throw him to the White Swan and Black Swan “stripped down” re-telling of Swan Lake. Nina, which is a goal in life is to achieve perfection, there is no problem acting role in the White Swan, but there is too reticent take advantage of the darkness and lust for the Black Swan is required. Since Tomas complains and interferes with him on his emotional weaknesses, Nina gets competitive Lily (Mila Kunis), the second ballerina Nina, which was lacking in control, but to convey more passion and represents the darkness looking for Thomas in the role of the Black Swan. In Lily, Nina might have found a new friend or a dangerous enemy.
Oh, and did I mention that Nina is going batshit fucking insane? That he is delusional, scratching himself, and possibly changing the swan human hybrid? Because it is also happening.
Black Swan takes a huge risk by shooting a surreal, psychological thriller film Verite style, but the gamble paid off in a big way. Libatique camera not only dances and glides with the performers, but adds a strong realism in the first half of the film so that when Nina goes really deep, you’re totally thrilled and excited about his Unhinged reality. Inspired cinematography manages to craft a visual representation that is both immediate and guest.
Adding a rich tapestry of the composer Clint Mansell wonderful spin-off music from Tchaikovsky’s Swan Lake. I’ve never seen Swan Lake (and now I must, of course) so I do not know the depth of the music cues, but Mansell twists inspired score that exhilarates, terrified, and to help bring the viewer deeper and deeper into Nina’s madness. Although I would not say it better than he was the Fountain, it is another sign of why Mansell is one of the best composers working in Hollywood today.
Although the technical craft behind the Black Swan is unbelievable, this movie does not work without Portman. He is incredible and even though he has done roles in the past that have suggested the darkness and depth, he could achieve in the Black Swan to see the actor at the top of his game. Not only did he perform exciting dance sequences (beautifully choreographed by his colleague Benjamin Millepied), but he takes Nina’s slow decent into madness of such compelling grace and sadness. Portman looks lovely soft and Nina’s naivety and innocence, but he also does not have problems of that sign of the dark side in such a way that feels organic and honest story. It is one of the best performances and one of the best performances of his career.
I do not know how much I can praise Darren Aronofsky bringing this all together just because I do not want to bore you with a long list of complimentary adjectives. The guy has become one of my all time favorite filmmakers, and his uncompromising vision always manages to create an image still haunts seriously. Though the film makes a nod to the psychological horror movies, 1960′s and 70 centuries, it is terrifying beast all its own. After seeing the Black Swan, I just wanted to see the movie again, but I wanted to see Swan Lake, Replusion, the tenant, and The Red Shoes. The last movie is not a psychological thriller, but it has now received a good company Awesome Movie Included Ballet of a video store (a local video store can be as genre-specific organization like mine).
Aronofsky has been dreaming of a beautiful nightmare of Black Swan. It will examine the themes of female sexuality, obsession, compulsions, fractured identities, rather than a visually captivating and honest manner dances mischievously between real and unreal. Like its protagonist, the film is technically a beach knowing when to decode and play a great folly. It is an unforgettable thriller that requires a different monitors as you want to calculate more precisely Nina’s dark and demented universe.
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